GPL

Which open source software license should I use?

MPL GPL APACHE

I’ve recently been involved in several discussions that are variations on, "Which open source or free software license should I choose for my project?" Here is my way of looking at the large and growing collection of licenses in the wild. First, let's make sure we all understand that I Am Not A Lawyer. This is not legal advice. Depending upon your needs and your comfort with risk around your software, you'll want to confirm your legal choices with counsel in your jurisdiction.

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Open source hardware relies on Creative Commons and crowdfunding

open hardware

When talking about open source, many people's first thought is the GNU General Public License (GPL). While the software world has been revolutionised by GPL, the hardware world has seen little change. 

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Should Hostess open source their recipes?

flour + butter + stuff

By now, many of you have seen that Hostess brands has closed. Many people are going to miss their favorite treats. On their website, they state the following: » Read more

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Helping the European Parliament to release its own free software

open parliament

For the first time, the European Parliament is about to release one of its own programs as Free Software. The program in question is called AT4AM, short for "Automatic Tool for Amendments". The Parliament is in the business of making laws, and AT4AM automates a lot of the formal stuff associated with the production process.

To understand what AT4AM means for MEPs and their staff, have a look at how amendments were filed before, and how it works now. (Vimeo. Flash required, sorry.) Parliament staffer Erik Josefsson compared the introduction of AT4AM to the arrival of version control for developers. It's been in use inside the parliament for about 18 months, and it's a pretty fundamental tool for the people working there. » Read more

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Open source companies create shared value

Open source companies create shared value

The free-market capitalistic definition of companies' goals was, for a long time, very simple: to make as much profit as possible. With that in mind, the only difference between a success and a failure was the investor's return on investment. Short-term profit became priority number one. However, this classic definition of capitalism hastransformed the way companies are perceived in the population over time. » Read more

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The new MPL

The new MPL

Last week the Mozilla Foundation released version 2.0 of the Mozilla Public License. Immediately recognized as a free software license by the Free Software Foundation and approved as an Open Source license by the Open Source Initiative, MPL 2.0 is a well-crafted modern license that ought to be considered by any open source project desiring a weak copyleft licensing policy. » Read more

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MPL 2.0, copyleft, and license compatibility

MPL 2.0, copyleft, and license compatibility

In part one of my Mozilla Public License piece, I mentioned license compatibility as a major feature of MPL 2.0. In fact, it's such a major - and complicated - issue that it warrants its own explanation. » Read more

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Maddog, Moglen, and Frye: Icons of the Linux community discuss their first twenty years with Linux and its future

In the afternoon keynotes of the first day of LinuxCon, Linux Foundation Executive Director Jim Zemlin sat down to talk about the twentieth anniversary of Linux with Jon "Maddog" Hall, Eben Moglen, and Dan Frye, or as Zemlin called them, The Godfather, The Lawyer, and The Suit. » Read more

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The trouble with Harmony: Part 2

This is the second part of a two-part article critiquing the output of Project Harmony. » Read more

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Applying the lessons of open source to ballet

Do open source software and ballet have anything in common? Sure, they have some obvious differences. But they share an imperative to collaborate and a creative spirit. Anyhow, I’m a big fan of both, and I’ve been thinking about whether some of the lessons of open source could be applied to ballet. Last week got a chance to kick ideas on this around with a great choreographer, Robert Weiss.

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