What do we mean when we talk about open music?

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Yellow and red record playing


Learning about Bolero's recent entry into the public domain made me think about the concept of "open music" in general. Where is it found? What characteristics define open music? And so I've let my favorite search engine help me do detective work to see what a hunt for open music turns up.

Open Music Archive

One interesting site was the Open Music Archive. This site says it is "a collaborative project ... to source, digitize, and distribute out-of-copyright sound recordings." The site's creators are working on digitizing music performances in the public domain and providing those on the site. I listened to a decent-sounding MP3 of Jimmy Rogers playing Waiting for a Train. Kudos to this site!


The About link indicates that the site operates under the UK copyright law, which apparently sees copyright in the work extinguished 70 years after the death of the author and in a sound recording 50 years after the performance.

Free Music Archive

Yet another site I like the look of is the Free Music Archive, an "interactive library of high-quality, legal audio downloads," which claims to be inspired by Creative Commons and the open source software movement. The site offers a huge array of music; for example, the Blues genre showed 1,644 songs. I listened to Billy Torello playing "Maddalena è un Pungitopo"—pretty cool stuff (perhaps a bandeon along with an acoustic guitar). This fine site is brought to us by radio station WFMU, whose site is worth investigating on its own.


According to the site, each rights-holder determines the types of use permitted. The FAQ provides more detail and says, "All the music you'll find here is free, meaning that it is available for you to download at no cost." Each track carries its licensing information.


Another similar and good-looking site is Musopen, which is "focused on increasing access to music by creating free resources and educational materials." There I found a great deal of sheet music, recordings (with licenses prominent), and educational materials. Well done!


Unclear. As far as we can determine from the site's information, items on the site are public domain or creative commons.


I haven't looked at Jamendo in a while. Back when I used Rhythmbox, I used to use the Jamendo plugin on a regular basis. That plugin seems no longer to exist. On the Jamendo web site, I see that, besides free listening, they offer music for multimedia projects and radio stations for stores. Navigating on to the main listening page, I see music organized by posts, by thematic radio stations, by communities, by playlists, and by latest releases.

There is a "Top 10" list at the bottom of the page. The player appeared at the bottom of the web page and worked well in Firefox on my laptop. I quite liked "Boyond Borders of Inspiration" by Dragonov Veaceslav (Draganov89) and I would have put a link here, but Jamendo doesn't provide that ability, which seems strange. I clicked on the "download" link, and was offered a free MP3-quality download for personal use, or a license for an HQ audio file that seems to be in FLAC or WAV format. The HQ personal use license, which permits using the track on YouTube as well as listening, was offered at $4.99.


According to the licenses page:

Jamendo uses Creative Commons licenses to enable the free distribution of an otherwise copyrighted work. CC licenses all grant 'baseline rights', such as the right to distribute the copyrighted work worldwide for non-commercial purposes, and without modification. Artists choose a license according to the conditions they want to be applied to the song. The details of each of these licenses depend on the version ...

See the Jamendo licenses page for more details.

Open Music Library

One promising-sounding site I encountered was the Open Music Library. The site claims to be "building the world's most comprehensive open network of digital resources for the study of music" (emphasis theirs). I'm always interested in finding new sheet music for guitar, so I had a look at the guitar scores listed on that site. Lots of interesting stuff there—one score I looked at in detail was located in the Library of Congress.


After reading the Terms link, I'm not so sure about the site's use of the term open, given the general and content restrictions listed there.

"Open music"

All of the above sites, and many, many more offer music or recordings, but other sites are using the "open music" term, too. Let's look at a few examples.

Open Music Initiative

The Open Music Initiative's goal is "to promote and advance the development of open source standards and innovation related to music, to help assure proper compensation for all creators, performers, and rights holders of music." The site is an initiative of Berklee College of Music Institute for Creative Entrepreneurship (BerkleeICE). Their 2016 Summer Lab "addresses the challenge of getting quality data about music into a shared ledger." I'm guessing from what I read on this site that the idea is to track uses of recorded music in order to monetize those uses and generate a larger flow of compensation back to the rights holder, which sounds like an interesting problem from a technical perspective. I'm not clear on precisely how open source fits into this; perhaps they will build a platform using open source technology.

Open Music Labs

For the tinkerers and makers in the crowd, there is Open Music Labs. You'll find all sorts of cool stuff on this site, and a store that sells the bits and pieces necessary. I particularly liked the look of the bootlegMIC enhancement to recording quality of cell phones. Hmmm... field recordings, anyone? And hey, look at this Arduino-based stomp box. Maybe I should dig the old electric guitar out of the basement.


Aside from the above sites, plenty of other stuff turned up in my search for open music, including courses, software for composing music, and music videos. In the end, I'm encouraged by the amount of open or nearly open or at least somewhat free music, recordings, and materials out there on the Internet. Still, if you use those resources be careful, because a lot of them are encumbered in one way or another. A common restriction, for example, is along the lines of "you can listen to this song, but you can't use it as a sound track to your own YouTube video." But for people looking for interesting sheet music or historical recordings of merit, you're in luck—there's a bunch of truly open open music out there, but you might need to do a little digging.

What other great open music resources have I missed?

Chris Hermansen portrait Temuco Chile
Seldom without a computer of some sort since graduating from the University of British Columbia in 1978, I have been a full-time Linux user since 2005, a full-time Solaris and SunOS user from 1986 through 2005, and UNIX System V user before that.



An organization backed by the Shuttleworth Foundation, working on open source platforms to help musicians with their career.

"We make free & open tools that connect all the services you already use in one place.

Sell music using your own Stripe or Paypal account. Make download codes using files from your Amazon S3 or Google Drive Account. Sync all your mailing lists to MailChimp automatically. All free, now and forever. Our open tools put you at the center of your career."

Thanks very much for this comment, Jóhannes G. I see the organization is a not-for-profit as well. It's great to see this kind of community spirit working in the artist community.

In reply to by Jóhannes G. (not verified)

Bands have allowed tapings of their live shows since the Grateful Dead fans started recording shows in the 1970s (there were other contemporaries as well) and it has continued to large touring acts like Phish, Dave Matthews Band, Blues Traveler and the generation after that. Very often bands would allow tapers who use microphones/stands to plug into directly into their soundbards.
The only condition usually was that these were to be for non-commercial purposes only: you coudnt sell them but tape trading was perfectly ok. In a pre-WWW world, it was a fundamental way to spread the music. But even going back to the 90's there where problems when big bands like Santana would encourage tapers to their shows only to have to fight the venues who didnt want to allow bands to give their fans this right!!
Nowadays, tape trading has gone digital but the principles are still the same.
(this is more popular in music that is more improvised/ more instrumentals/ more jams rather than pop format where the songs are always played the exact same way.)

its kind of a shame there is no mentions of a site like etree which has been around for 17-18yrs and helped the propagation of live show recordings (or the internet archive) since tape trading/taping of live shows is really one of the original forms of 'open music'.

Thanks very much for the detailed and instructive comments, bobby!

Based on your suggestion, I went to http://etree.org/

Among other things I saw this comment, near and dear to my heart:

We do not distribute MP3 due to its lossy compression scheme which greatly degrades the quality of the audio. If you trade a CD-R's from MP3 audio, you are polluting the CD-R trading community.

I also noticed the pointer to http://wiki.etree.org/ and THERE I noticed some great how-to information.

This is a wonderful resource, bobby; thank you so much for introducing it.

In reply to by bobby (not verified)

# ! : ) hi

# ! what about include the Music Section of the Internet Archive...?
that offers a great Catalog of Free Music (with different Copyleft Licenses as well), ranging from Grateful Dead Concerts to a wide offering in the Live Music Archive and the Netlabels section (among many others)...?

Thanks very much for the great suggestion, Gonzalo!

I had been wracking my brain for precise name of the site and started searching for it on my favourite search engine... which led to the article itself...

Anyway as you say it is an excellent resource. I will add it to the list I am compiling for semi-regular posting.

Any more great suggestions? Thanks again!

In reply to by Gonzalo San Gil, PhD


You forgot Dogmazic.net (55 000 tracks, 6 000 artists under 38 licenses), since 2004. All without any advertisings, and made for the love of music by the Musique Libre Association.

Wow Aisyk, this is great information, thanks very much! I actually did not forget it - I never before encountered it. So thank you very much for bringing this forward; it's definitely going on my list of go-to sites.

Vous êtes français(e)? Je vois que le site est disponible en français ou anglais. Un grand conseil, merci beaucoup!

In reply to by Aisyk

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